LING靈, 2023
舞蹈剧场, 实时动态图像、立体声、投影、舞台灯光、织物、粘土，约 25:00
‘“靈”字本从甲骨文演变而来，上部为“雨”，中部为“口”，下部为“巫”，表示巫师念念不停地祈祷下雨，也引申指神灵。
该作品从女娲造人的神话故事中汲取灵感，以隐喻的视角探讨土地荒漠化与人类的内在联系。演出主要以现代舞蹈的形式呈现，结合了数字算法及交互式投影装置，拟人化处理土地及其所处大环境，旨在将这一探索延伸至人体、物理材料和数字技术之间的交叉点。观众将受邀体验到一场原始色彩与新媒体艺术相互交织的沉浸式视听体验。
HD Live Moving Graphics, Stereo Sound, Projection, Stage Lighting, Fabric, Clay, approx 25:00
Derived from oracle bone script, (雨) rain from above, in the middle is (口) mouth, Shaman(巫) down below. The Shaman's persistent prayer for rain, with ‘Ling’ can also extend to refer to sacred spirits.
The work draws inspiration from the mythological story of Nuwa's creation of man, and explores the intrinsic connection between land desertification and human beings from a metaphorical perspective. Presented primarily in the form of contemporary dance, the performance combines digital algorithms and interactive projection installations to anthropomorphise the land and its wider environment, aiming to extend this exploration to the intersection between the human body, physical materials and digital technology. Audiences are invited to experience an immersive audio-visual experience where raw colour and new media art intertwine.
舞蹈剧场, 实时动态图像、立体声、投影、舞台灯光、织物、粘土，约 25:00
‘“靈”字本从甲骨文演变而来，上部为“雨”，中部为“口”，下部为“巫”，表示巫师念念不停地祈祷下雨，也引申指神灵。
该作品从女娲造人的神话故事中汲取灵感，以隐喻的视角探讨土地荒漠化与人类的内在联系。演出主要以现代舞蹈的形式呈现，结合了数字算法及交互式投影装置，拟人化处理土地及其所处大环境，旨在将这一探索延伸至人体、物理材料和数字技术之间的交叉点。观众将受邀体验到一场原始色彩与新媒体艺术相互交织的沉浸式视听体验。
HD Live Moving Graphics, Stereo Sound, Projection, Stage Lighting, Fabric, Clay, approx 25:00
Derived from oracle bone script, (雨) rain from above, in the middle is (口) mouth, Shaman(巫) down below. The Shaman's persistent prayer for rain, with ‘Ling’ can also extend to refer to sacred spirits.
The work draws inspiration from the mythological story of Nuwa's creation of man, and explores the intrinsic connection between land desertification and human beings from a metaphorical perspective. Presented primarily in the form of contemporary dance, the performance combines digital algorithms and interactive projection installations to anthropomorphise the land and its wider environment, aiming to extend this exploration to the intersection between the human body, physical materials and digital technology. Audiences are invited to experience an immersive audio-visual experience where raw colour and new media art intertwine.
Director/Choreographer: Yijun Deng
Co-director, co-producer: Chang Meng, Bryan Yueshen Wu, Jeanyoon Choi
Dancer: Amanda Pang, Jiayi Fan, MingChin Hsieh, Zejia Zhang
Painting performer: Agelos Kotzias
Visual design:Chang Meng, Bryan Yueshen Wu
Visual programmer: Bryan Yueshen Wu, Jeanyoon Choi
Lighting programmer: Bryan Yueshen Wu, Mark Webber
Sound design and music: Lapis
Project advisor: Florence Peake, Lauren Potter, Orrow Bell, Vania Gala
Photo credit: Ruiduo Jiang, Sunghoon Song
Special thanks: James Hendy, Tom Hastings, Sophie Clements
Exhibition:
Fish Tank Festival of Contemporary Dance, The PlaceThe Place, London
Co-director, co-producer: Chang Meng, Bryan Yueshen Wu, Jeanyoon Choi
Dancer: Amanda Pang, Jiayi Fan, MingChin Hsieh, Zejia Zhang
Painting performer: Agelos Kotzias
Visual design:Chang Meng, Bryan Yueshen Wu
Visual programmer: Bryan Yueshen Wu, Jeanyoon Choi
Lighting programmer: Bryan Yueshen Wu, Mark Webber
Sound design and music: Lapis
Project advisor: Florence Peake, Lauren Potter, Orrow Bell, Vania Gala
Photo credit: Ruiduo Jiang, Sunghoon Song
Special thanks: James Hendy, Tom Hastings, Sophie Clements
Exhibition:
Fish Tank Festival of Contemporary Dance, The PlaceThe Place, London
